Books with author Sir Arthur Quiller-Couch

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Pook Press celebrates the great Golden Age of Illustration in children's literature. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children.

Quiller-Couch here gives us these four fairy tales that have been perennial favorites for centuries. The first three fairy tales are 'The Sleeping Beauty,' 'Blue Beard,' and 'Cinderella,' all three of which were popularized in France by Charles Perrault in 1697 in his Tales of Mother Goose. The last tale in the compilation is 'Beauty and the Beast,' this version attributed to Gabrielle de Villeneuve, who published it in 1740 and 1756. Quiller-Couch had this to say regarding his translation of these tales: 'I began by translating Perrault's tales, very nearly word for word....the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) may not be the best claret, but tis the best we ve got.'...'

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from The Warwickshire AvonParliamentarians ranged their baggage. Yonder, on Mill Hill and Broad Moor, with just a hollow between, the two armies faced each other; the royalists with bean-stalks in their hats, their enemies with badges of white linen. T o the left, Sulby hedges were lined with Ireton's dragoons. And the rest is an old story: Rupert, tardily returning from a headlong charge, finds no cause left to befriend, no foe to fight. While his men were pillaging, Cromwell has snatched the day. His Majesty is flying through Market Harborough towards Leicester, and thither along the dusty roads his beaten regiments trail after him, with the Ironsides at their heels, hewing hip and thigh.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Historical Tales From Shakespeare(For although even a very young reader may delight in Shakespeare, it takes a grown one and a wise one to understand his full meaning.) And we asked ourselves, 'Is it possible, by throwing the stories into plain narrative form and making the language more ordinary, to represent these vivid pictures so that young readers may be attracted to them - yet reverently, and in the hope that from our pale, if simple, copies they may be led on and attracted to his rich and wonderful work?'About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Mr. Stimcoe is a drunk, and the school a travesty, but Harry meets the mysterious Captain Coffin. Coffin is building a ship to voyage to the Honduras, where he expects to find large amounts of gold, while avoiding the poison of the title. The Captain has a map, but is the treasure real, or a product of drunken imagination? Harry will find out.Sir Arthur Quiller-Couch short stories, novels, criticism, and edited anthologies, including the "Oxford Book" series. He was Assistant Editor of the Liberal weekly The Speaker, and from 1912 until his death was Professor of English at Cambridge University.Writing under the pen name "Q", Sir Arthur produced a variety of work, including adventure stories, historical fiction, satire, stories of the supernatural, and mysteries